Wednesday, 10 September 2008

Download Associates mp3






Associates
   

Artist: Associates: mp3 download


   Genre(s): 

Pop

   







Discography:


The Singles Collection
   

 The Singles Collection

   Year: 1990   

Tracks: 17






Formed in Edinburgh, Scotland in 1979, the Associates comprised vocaliser Billy Mackenzie and multi-instrumentalist Alan Rankine. Built on an eclectic mix of influences and interests ranging from art rock to glam and discotheque, the radical debuted with a frenzied cover of David Bowie's "Boys Keep Swinging," which earned them a foreshorten with Fiction Records. Their 1980 debut LP, The Affectionate Punch, was a critically acclaimed work which expanded the duo's level-headed into both crude reductivism and melodramatic ballads, earning Mackenzie's powerful interpreter favourable comparisons to Scott Walker.


After jumping to the Situation Two label, the Associates released a series of singles which explored a continually various array of styles and textures. With 1982's "Party Fears Two," issued below their possess Associates label embossment, the group at last make the U.K. Top Ten, and the review singles "Society Country" and "18 Carat Love Affair" both reached the Top 30. 1982's Sulkiness was the group's determinate statement, a enthralling blending of lush, New Romantic popcraft and dark, surreal club stylings.


Next the LP's succeeder, however, dealings 'tween Mackenzie and Rankine soured, and the latter left the group for a solo calling, cathartic the albums The Day the World Became Her Age (1986), She Loves Me Not (1987), and The Big Picture Sucks (1989). Undaunted, Mackenzie maintained the Associates advert and teamed with Martin Rushent to record an album which went unreleased, although a few of the tracks later emerged on 1985's Perchance, fleshed out by keyboardist Howard Hughes and guitar player Steve Reid.


A long layoff followed, with some other album, The Glamour Chase, recorded just jilted by label chiefs. In 1990, the Euro-disco-flavored Groundless and Lonely emerged, and its deficiency of winner effectively over the Associates' tarradiddle. In early 1997, piece in the thick of preparing for a protruding comeback, Mackenzie committed felo-de-se.





Uriah Heep | Download mp3

Sunday, 31 August 2008

Download Robert Wyatt mp3






Robert Wyatt
   

Artist: Robert Wyatt: mp3 download


   Genre(s): 

Rock
Other

   







Discography:


Comicopera
   

 Comicopera

   Year: 2007   

Tracks: 16
Rock Bottom
   

 Rock Bottom

   Year: 2004   

Tracks: 6
Ruth Is Stranger Than Richard
   

 Ruth Is Stranger Than Richard

   Year: 1998   

Tracks: 9
Shleep (with Brian Eno)
   

 Shleep (with Brian Eno)

   Year: 1997   

Tracks: 11
The End of an Ear
   

 The End of an Ear

   Year: 1970   

Tracks: 9






An long-suffering fig wHO came to prominence in the early years of the English artistry rock-and-roll and wheel aspect, Robert Wyatt has produced a significant body of do work, both as the original drummer for art rockers Soft Machine and as a radical political singer/songwriter. Born in Bristol, England, Wyatt came to Soft Machine during the exciting, slightly post-psychedelic Canterbury Scene of the mid-'60s that produced bands maintenance Gong and Pink Floyd. Unlike many of the fine art john Rock bands that would come by and by (Jethro Tull, Yes, King Crimson), Soft Machine eschewed bloated theatrical nimiety, preferring a standard rock 'n' roll format that interpolated nothingness riffing, extended soloing, and some forays into experimental noise. Wyatt, so Soft Machine's drummer, left hand the stripe during its initial wave of popularity. His solo career was reinforced less about his abilities as a percussionist and more than about his frail tenor voice voice, subject of breaking black Maria with its falsetto compass.


It was not long subsequently his number one solo outlet, End of an Ear, that Wyatt fell from an open window during a party, fracturing his second and for good paralyzing him from the waistline down. After months of awful convalescence, Wyatt reemerged with the excruciating Rock and roll Bottom (1974) and the freaky Babe Ruth Is Stranger Than Richard (1975), the late dealing explicitly with his post-accident life, the latter a series of phantasmagorical fables. And piece the music on these records is trancelike and experimental, Wyatt shockingly recorded a straight version of the Monkees' "I'm a Believer" in 1974 that became a braggart British hit. Controversy ensued when the BBC's long-running weekly bulge out music program Top of the Pops refused to allow Wyatt to perform the vocal in his wheelchair. After a significant protestation played out in the music trade papers, Wyatt did perform.


Despite his success, Wyatt remained quiet for practically of the rest of the x, breaking his silence during the punk epoch with a handful of singles recorded for the capital English indie label Rough Trade. Again, departure against audience expectations, he recorded a beautiful adaptation of Chic's "At Last I Am Free." This signaled the begin of a fully fledged career renaissance that included legion albums and artists such as Elvis Costello writing songs for him. His albums were lush, at times well-nigh broody, and Wyatt's voice -- solve, emotionally supercharged, and always on the sceptre of breaking -- brought nifty depth and soul to songs that, if recorded by a lesser artist, would have sounded terse and tired.


Always on the political left field, Wyatt's radicalism increased exponentially during Margaret Thatcher's years as Prime Minister, as he retained an unwavering support for Communism even as glasnost was near. The resulting music he recorded during this period reflects his strong, bordering on strident, political beliefs. As of the mid-2000s, Wyatt has comfortably worked in and out of the music business. He records when he feels like it, paints, writes, devotes time to political work on, and continues to testify no interest group in the machinations of the music industry. But, despite his now and then blatant political posture, he has recorded some stunning music, full of curiosity, possibility, and arrant emotion, that remains undiscovered by many.





Mp3 music: Minus the Bear

Thursday, 21 August 2008

Brandy readies new release

Brandy [ ] will release her new studio apartment album, "Human," Nov. 11 on Epic Records. The album is the pop singer's low gear release since 2004's "Afrodisiac." The album's first individual, "Right Here (Departed)," and the consequent ringtone will be released Aug. 26.

The album features several collaborations, including the song "Fall," which Brandy co-wrote with Natasha Bedingfield, according to a press release.

story_top_holder>










More information

Monday, 11 August 2008

Wednesday, 6 August 2008

Men With Diabetes Have More Damaged Sperm DNA

�Conference delegates in Spain yesterday heard about new research from Ireland that found diabetes in workforce had a direct essence on male person fertility
because of higher damage to sperm DNA.




The study was the work of Dr Con Mallidis from Queen's University, Belfast, and colleagues, and was presented at the twenty-fourth annual conference of the
European Society of Human Reproduction and Embryology that finished yesterday, 9th July, in Barcelona. The fight statement did not mention
whether the study is to be published in a journal.




"We have shown for the first time that diabetes adversely influences male natality at a molecular grade," Mallidis told conference delegates.




Diabetes causes DNA damage in sperm, Mallidis said, adding that worldwide concern about male fertility coincides with rising numbers game of diabetics
diagnosed at a young age.




Scientists already knew that lower quality of sperm cell DNA is closely joined to lour embryo quality and implantation rates, as well as higher rates of
abortion and serious childhood diseases, and cancer in particular. Various suggestions have been made as to what might reason DNA damage in
sperm cell, but until now, the underpinning molecular biology has been somewhat of a mystery.




Mallidis and colleagues studied semen samples from hands with diabetes who were undergoing insulin treatment and found that apart from being of
slightly frown volume, the samples looked normal when routinely examined under a microscope.




"But when we looked for DNA damage, we saw a very different picture," said Mallidis, explaining that this was non normally piece of a routine
analysis.




The sperm RNA was significantly different, and many of the alterations they sawing machine appeared to be RNA transcripts victimized in repairing DNA.




Comparison with a database of men of proven fertility confirmed our findings," said Mallidis.




"Diabetics have a significant decrease in their power to quicken sperm DNA, and once this is damaged it cannot be restored," he added.




RNA transcription is the first whole step of gene expression, where DNA computer code is translated into assorted forms of action at the molecular level, such as
making proteins to carry out cell functions, including emergence, division and death.




Errors in transcription ar highly suggestive of errors in the DNA itself, and Mallidis said he and his team saw a "fourteen-fold decrease in the
expression of a protein called ornithine decarboxylase, which is responsible for the production of spermine and spermidine, compounds creditworthy
for cell growth that help steady the bodily structure of DNA".




They also found that a factor called spermatogenesis 20, of obscure function merely known to be unique to the testis, was greatly increased.




Mallidis and colleagues concluded that:




"Taken together, these factors argue clearly that having diabetes has a direct influence on the health of semen."




The scientists' next step is to find kayoed what happens in diabetic men to cause price to their sperm DNA. Mallidis aforesaid they had a clue in that they
found:




"A class of compounds known as advance glycation goal products (AGEs) in the male reproductive tract. These are formed as the result of glycation
(the addition of sugar)."




AGEs cumulate during normal ageing, added Mallidis, explaining that:




"They ar dependent on life expressive style -- diet, smoking etc -- and in many diabetic complications are centrally implicated in DNA scathe. We believe that
they play a similar role in the male procreative system."




Mallidis and his team will be continuing the research to try and establish how AGEs conduce to DNA damage. They believe they may have
discovered a new purpose for AGEs; one that extends their role beyond diabetes and its consequences.




Considering the public health implications of their findings, Mallidis said:




"We must now try on to develop strategies to protect spermatozoan, and to diminish the accumulation of AGEs."




These could include steps like changes in diet, which disrupt the formation of AGEs, or pickings supplements to increasing the body's shelter
against AGEs.




And another teaser is spermatogenesis 20. What does it do incisively, and wherefore, and when, and how? And why do diabetics have it in much larger
amounts?




"We need to find answers to all these questions," said Mallidis.




The study was Abstract No. O-258, and was scheduled for Wednesday at 14.00 hrs local time.



Click here for European Society of Human Reproduction and
Embryology.




Source: ESHRE, .




Written by: Catharine Paddock, PhD



Copyright: Medical News Today


Not to be reproduced without permission of Medical News Today



More information

Thursday, 26 June 2008

Christina Aguilera: 'I'm Allowed To Party Once In A While'

Christina Aguilera has defended herself against claims that she is a bad mother after being spotted numerous times in recent weeks stumbling out of nightclubs looking worse for wear.

The large-breasted one gave birth to son Max Liron in January and has since been snapped partying hard with her husband Jordan Bratman, prompting some to ask who exactly is looking after her child?

Christina explained to Access Hollywood: “I spend all day with my son and once in a while if I want to go out and have a mommy-daddy night with my husband, I am more than allowed to do that.”

“They never air [footage] of the paparazzi actually pulling up beside my husband and being like, ‘When is she going to leave the house? I have been trying to get a picture of her for weeks,’” she added.

“Everybody has an opinion and everybody sometimes wants to cause drama and be mean spirited, but it’s something that comes with what you do and I learned that very early on.”

Check out our collection of Christina’s hard-partying, and often drunk lifestyle here.

Williams Backs New Bill For U.S. Soldiers' Right To Free College Education

Comedian Robin Williams is demanding U.S. soldiers be given rights to a free college education. The 56-year-old star has enlisted his support for new legislation, which will ensure U.S. soldiers returning from Iraq and Afghanistan have their university tuition paid in full because the sacrifices they've made for their country have not been compensated fairly. The proposed bill would cost the U.S. government $4 billion (?2 billion) annually - a total that pales in comparison to the weekly cost of the American occupation in Iraq. Williams says, "It's a payback for them. It's all-access to the American Dream. We in no way have given the vets their due. These guys and gals have sacrificed so much. It's the least we can do."


See Also

Capitollium

Capitollium   
Artist: Capitollium

   Genre(s): 
Metal: Sympho
   Other
   



Discography:


Engraved Fear   
 Engraved Fear

   Year: 2006   
Tracks: 12


Seraphim's Lair   
 Seraphim's Lair

   Year: 2004   
Tracks: 8




 






Britt Daniel

Britt Daniel   
Artist: Britt Daniel

   Genre(s): 
Rock
   



Discography:


Home Vol.4   
 Home Vol.4

   Year: 2004   
Tracks: 4




 






The Music, Strength In Numbers

It's an age old rock 'n' roll story but one that's set to be repeated again and again. Tired and exhausted from yet another gruelling U.S. tour that topped a seven-year campaign of recording and extensive gigging, Kippax quartet, The Music, found themselves burnt out, and utterly despondent. Worse still, here was a band that couldn't stand the sight of each other. Studio sessions ground to halt while their label - no longer returning their calls - quietly dropped them. Under normal circumstances, the stock response of most bands would be to split up, but clearly, The Music are made of sterner stuff. Despite a four-year gap since the release of Welcome To The North and the domination of neighbours Kaiser Chiefs and The Pigeon Detectives - not to mention the appearance of any number of dance-based outfits - The Music's third album finds the band fighting back by venturing deep into electronic territory.

Aided and abetted by former Orbital mainstay Paul Hartnoll along with P.J.Harvey and Depeche Mode knob twiddler Flood, Strength In Numbers is The Music's strongest set yet. From the opening pulses of the title track, the band's move to new pastures is abundantly apparent. Drugs encapsulates their new found direction thanks largely to the production team's guiding hand but it's really on the pumping guitar-dance fusion of The Spike And The Left Side where The Music's huge slabs of six-string wig out coalesce with the mammoth beats beneath them.

Wisely, the band have reined in their more meandering tendencies. Here they offer concise blasts of bass-heavy grooves and widescreen fret worrying, while Robert Harvey's nasal call-to-arms remains firmly and reassuringly in place. Having conquered their own internal battles, the remaining challenge is how The Music will now set about re-establishing themselves after such a lengthy absence. They may be taking the long road, but with Strength In Numbers they've started walking it.


See Also

Gus Gus

Gus Gus   
Artist: Gus Gus

   Genre(s): 
Pop
   Electronic
   Rock
   Trip-Hop
   Other
   Dance
   



Discography:


Forever   
 Forever

   Year: 2007   
Tracks: 20


The Best   
 The Best

   Year: 2005   
Tracks: 13


Psychobitchmix   
 Psychobitchmix

   Year: 2004   
Tracks: 20


Mixed Live   
 Mixed Live

   Year: 2003   
Tracks: 15


Attention   
 Attention

   Year: 2002   
Tracks: 12


Gus Gus Vs. T-World   
 Gus Gus Vs. T-World

   Year: 2000   
Tracks: 11


This Is Normal + Bonus Track   
 This Is Normal + Bonus Track

   Year: 1999   
Tracks: 12


This Is Normal   
 This Is Normal

   Year: 1999   
Tracks: 12


Polydistortion   
 Polydistortion

   Year: 1997   
Tracks: 11




Being a offbeat coed nine-piece from Reykjavik, Iceland, Gus Gus was about bound to inspire comparisons to the Sugarcubes, though the onset of ten-spot long time caused the grouping to inherit the influences of electronic fuzz and trip-hop rhythms rather than the tear of post-punk insaneness that divine the Sugarcubes during the late '80s. Begun as a movie theatre headache in early 1995 by filmmakers Stefán Árni and Siggi Kjartansson, the group was gradually expanded to include musicians such as DJ Herb Legowitz and programmer Biggi Thórarinsson as well as singer/songwriters Daníel Ágúst, Hafdís Huld, and Magnús Jónsson (former actors all), a cameraman (Steph), and a producer (Baldur Stefánsson). The band's decidedly indie sensibilities light-emitting diode to their signing by 4AD after a four-part series of terpsichore mix in EPs during 1996. Among a handful of groups in the late '90s with access to both closely knit dance circles as well as the notoriously highly strung indie community, the group gained support from LFO (with Mark Bell's remix of "Believe") and i of London's about far-famed DJ stores, Fat Cat Records, while playacting their first day of the month in England. Given a combined U.S./U.K. loss due to 4AD's agreement with Warner Bros., their debut album, Polydistortion, hit the stores in April 1997. This Is Normal followed in 1999, and one year by and by the anthology release Gus Gus vs. T-World appeared. 2002 power saw the release of Care; Motley Live appeared a year later. The group returned with new material in 2007 with Forever and a day.





Woolworths scrap CD singles

Vampire Weekend Frontman Ezra Koenig's Students Recall Playing Pranks On The Future Rock Star




BROOKLYN, New York — What does Vampire Weekend frontman Ezra Koenig have in common with Sting and Gene Simmons? It's definitely not a shared sense of style. But like Sting and Simmons, the cardigan-and-Top-Sider-sporting 23-year-old spent a year as the antithesis of the flashy, rule-breaking rock star: a teacher.

Before belting out tunes like "Oxford Comma" and "A Punk" in front of sold-out crowds and landing on the cover of Spin — along with bassist Chris Baio, keyboardist Rostam Batmanglij and drummer Chris Tomson — Koenig was juggling band practice and performances with a day job as an eighth-grade teacher at Junior High School 258 in Brooklyn, New York.


"It was a pretty hectic lifestyle," Koenig said. "I mean, [being a full-time musician] is a hectic lifestyle too, but to teach all day, then go record or try to, you know, play a show, and then wake up and go to work again was pretty difficult."

Koenig's students didn't make life any easier for the recent Columbia University grad, who landed the job in the rough school through Teach for America. Upon first glance at Koenig's boat shoes, members of his English class knew their new teacher would be the butt of jokes and the victim of pranks, recalls Koenig's former student, 15-year-old Quraan Jones.

"We would call him Peter Pan, Spider-Man, Ashton Kutcher, every name in the book," Jones laughed. The students were surprised that the man standing before them not only ditched the quintessential teacher wardrobe, but also looked young enough to be in a class with them.

"I couldn't believe he was my teacher, because it looked like he just got out of high school," said Isaiah White, 15, another former student.

Despite the students' countless attempts to push Koenig's buttons, Jones says that for the most part, he was a "laid-back" teacher who formed bonds with students and managed to win the class over by the end of the year. He even shared some well-guarded secrets with a chosen few.

"Towards the end of the year, I would stay after class with him, and we spoke and he told me, 'Oh, I'm like 23. Don't tell anybody!' " said Jones.

Along with concealing his age, Koenig also tried his best to prevent the class from finding out that he was a member of a band that was already beginning to generate buzz online.

"I guess there were a few times where I had to bring a guitar to school, so even just the fact that I played guitar impressed some of the kids," Koenig said. "And then from there, I guess, you know with Googling and stuff, some of the kids found [the band's MySpace page]."

But Jones doesn't remember the class' reaction to Koenig's guitar-strumming in quite the same way.

"He would bring [his guitar] from time to time and practice in class, and then we would be like, 'You're wack!' and then play jokes on him," Jones recalled.

During one of their hangout sessions after school, Koenig finally came clean to Jones about his rock-and-roll dreams.

The few students who knew about Koenig's other life couldn't picture him anywhere else but in a classroom and doubted that the same teacher they played tricks on would ever find fame.

"When I first saw him on MTV, I was really shocked and surprised," said White. "I couldn't believe it was him."

But maybe all of the paper-ball fights, gum on his chair and objects thrown at his hair prepared Koenig for equally unforgiving rock-club audiences. Eventually, Koenig's students also became his fans, posting comments of support and encouragement on the band's MySpace page. Thanks to a special invite by their onetime teacher, Jones and White even attended a Vampire Weekend concert.

"One day, he called me and told me, 'Oh, I'm going to have a show. Come here,' " Jones said. "So when I came, I listened to his music, and I thought it was good."

In the fall of 2007, a deal with XL Records cut short Koenig's teaching career. But despite the fact that Vampire Weekend were a featured artist on MTV, made the Billboard top 20 and appeared on "Saturday Night Live," Koenig's students refuse to see their former teacher as Ezra, the rock star.

"I still see him as the same Mr. Koenig," Jones said. "I still have that thing in my mind that this is the same man we threw paper at, wrote on his shirt and put gum on his chair."






See Also

First ever Facebook gig played

A young British band has scored a world first - by performing a live gig on
Facebook before anyone else.
REDBOXBLUE - an unsigned band from south west London - made history
last Wednesday.

The six piece - who cite OASIS, KINGS OF LEON and LED ZEPPELIN
as influences - played the gig live from a London studio and streamed it on
Facebook.

They went on to play another four consecutive nights of gigs, with a total of
10,000 people logging on to watch the action over the five nights.

Incredibly, no-one has streamed a live gig on the popular social networking
site before.

All that could be about to change.
Click here to view the band's performance

Toby Keith’s Movie Will Disappoint No One

Photo: Getty Images
"Ted has just shot a guy with a bow and arrow. And he's leaving the set to go back to his trailer, and all of Hollywood is standing around and a cotton tail jumps up — rabbit — and crosses the set. POW! And he guts him a rabbit right in front of everybody." —Toby Keith on Ted Nugent's cameo in the upcoming film Beer for My Horses [Spinner]

"Arrested Development played late at night in England, so I got a lot of
coke addicts and meth freaks. Great. So you've seen me but you just don't remember me." —Jason Bateman on international fame [Times UK]

"You know when you're drinking those smoothies you've got in America, and you're like, 'I think I can taste papaya.' That's what we're trying to do: make musical smoothies. We'll have a Kanye West influence here, a Beatles influence there." —Chris Martin on Coldplay's new album [Maxim]

"I'm not sure when I'll come back with another record. I feel like I've done everything I can do with this set of tools." —Maybe John Mayer should start making smoothies, too [USAT]

"I just wanna say that we are so incredible, we are such an incredible people. We are so beautiful and fly, and everybody wants to be like us." —Alicia Keys, giving a modest acceptance speech at the BET awards [E!]